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Hidden Gaming Gems of 2024

It’s been four years since I’ve done an end of year gaming round-up, and the itch to write has returned, since 2024 was a pretty solid year for games.

That said: I’d rather focus this year on the titles closer to the margins and the tiny releases that are easy to miss if someone isn’t directly telling you about them. I don’t need to be the one to tell you Balatro is good, or that the Like A Dragon series is the best it’s ever been, or that the new Indiana Jones game is pretty neat. (And I refuse to admit how much time I continue to sink into Fortnite.)

Games are in purchase order. All links are to Steam although many of these are available on other platforms.


Twenty Small Mazes – I can’t say it better than the actual game description: “This is a puzzle game with twenty small mazes. They’re good mazes, though.” Free to boot.

The Brew Barons – an arcade-style flight sim in the name of building your business homebrewing beer. No, that doesn’t make a lot of sense writing it out either, but trust me.

Minishoot’ Adventures – 2D Zelda-style exploration + twinstick bullet hell work shockingly well together.

Lorelei and the Laser Eyes – somewhere between Resident Evil 2 and the Rusty Lake series lies this wonderful puzzle hunt. Of the video game spaces I spent time in this year, Hotel Letztes Jahr will be the most memorable. Bonus points for the phenomenal soundtrack by Daniel Olsén, Linnea Olsson & Jonathan Eng.

[ECHOSTASIS] – the conclusion to the [ENIGMA] Trilogy (and practically three games in one itself), [ECHOSTASIS] is a sobering and unnerving first person existential crisis.

New Star GP – driving games are always a struggle; the balance between “arcade driftfest” and “simulation hell” is not one many devs can hit. But New Star Games holds the racing line perfectly in this F1-style joy.

Thank Goodness You’re Here! – the funniest game of the year, by a country mile.

The DevCats “Full Of Cats” Series – I stumbled onto DevCats last year, and my rule of thumb has quickly become “I see a new DevCats release, I buy it and play nothing else for a few hours”. This happened three times this year: Stray Cats in Cozy Town; A Park Full Of Cats; and A Shelter Full of Cats. Finding little kittens hidden in a giant environment is tremendous stress relief, and the proceeds go to cat charities.

I Am Your Beast – I remain in awe of Xalavier Nelson Jr.’s range. This is my Hotline Miami 3.

UFO 50 – not the lowest of profile releases, but having been stuck in development for years, flew under the radar more than I thought. A collective of the best indie devs make a fake console and knock out 50 unique games. I played nothing else for the two days that we lived at the airport trying to get home in October.

Nodebuster – I pretty much always have an incremental or idle game in progress to fall back on. Nodebuster was the one of those I enjoyed the most this year.

Up To Par – I am a sucker for rogulikes and a big fan of mini-golf, so roguelike mini-golf was always going to speak to me. Still being refined (the progression can be a little rough), but does what it says on the tin.

The Rise of the Golden Idol – a great sequel to 2022’s The Case of the Golden Idol, and quite a bit more accessible and enjoyable all around. Really looking forward to the DLC.

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Recommended

2019 In Review: Games

I had promised myself I was going to restore my habit of doing end-of-year media lists for 2019. This is one of what was supposed to be four posts in the series but became only two: movies, music, television, and games. Spoilers ahead.

Look, there are plenty of good-game-writing-folks out there doing the good-game-writing thing with thoughtful year-end lists. If you want to understand why you should play the many great games released this year – Control, Disco Elysium, The Outer Wilds, take your pick – go read those.

You know I’m only going to recommend some off-the-wall nonsense.

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Recommended

Recommended: Ed Scissor

Ed(ward) Scissor(tongue)

Note: there’s a few Apple Music embeds below that don’t quite illustrate some of the points I’m making if you’re not signed in. The same music is on Spotify, but it’s easier for me to embed these. ¯\_(ツ)_/¯

In the summer of 2017, I stumbled through tangential blog posts recommending music and somehow landed on Edward Scissortongue, bucketed broadly, and perhaps confusingly, under UK’s grime scene. (About a year later, his performing name shortened to just “Ed Scissor”.)

He quickly entered a hallowed tier of reverence in my music library: complete discography loaded, with about ten different songs hitting the coveted “keep this in my constant rotation” rating. A year later, I would impulse buy four of the albums on vinyl from his record label and have them shipped over. (His releases are not going to appear in the shops over here.)

Ed’s music is layered in a way that puts its hooks into you quietly. There is his delivery and lyricism: dense, literary, tense, deep baritone, driving. There’s a semi-regular theme of societal breakdown and post-apocalyptic life, but it’s weaved so well into the lyrics you might not immediately notice unless you go dig into Genius. This is well illustrated in “The Calculator” off Theremin EP:

The production on his backing tracks suit his lyrical style well. The melodies lean more towards trip-hop than grime, with international elements and rich instrumentation coming in frequently. Tension, mystery, melancholy all come through the songs. Samples are used sparingly but meaningfully – snippets of Godspeed!, You Black Emperor’s “Dead Flag Blues” bookends the title track of the Theremin album. Here’s “Gypsy Tart” off his collaboration with Jam Baxter, Laminated Cakes, where a vocal whine coils into the melody:

Lastly, his albums each have their own thematic cohesion, independent from each other. This is best illustrated on Tell Them It’s Winter, which Lamplighter paints a cold, dark winter picture underneath Ed’s steady delivery. Here’s the title track:

More tracks to explore if you like what you’ve heard: “Rosegarden“, “Wastewater“, “Sink“, “The Dust Don’t Lay“, and “The Wipeout Soundtrack