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Hunter Rawlings, on Liberal Education

“As you have no doubt noticed, many people in the U.S. have lost faith in liberal education. From governors to legislators, from pundits to parents, Americans increasingly view higher education as purely instrumental—as a ticket to a job, nothing less, nothing more. This vocational view sees college as a commodity: you purchase education the way you buy a car, and the return on investment is measured in strictly financial terms:

How much do graduates make?

How much do individual majors make?

What percentage of new graduates get jobs?

Why major in subjects that do not lead directly to high-paying jobs?

The Arts College does not see itself as a vocational school. Neither do our other colleges, which depend significantly upon the Arts College for many of their fundamental courses.

[…]

What is liberal education? I take “liberal” in its original Latin sense as an education for free people; that is, people who do not live in a dictatorship, but have an active role to play in the life of their society. Liberal education liberates students to think for themselves as individuals, to develop their creative capacities, and to contribute to public life, not just earn money as a cog in a machine.

[…]

A university’s curriculum says a lot about what that university purports to be. The Stanford faculty recently published a well-conceived report on the Stanford curriculum. Princeton is about to release its report on the same topic. In its turn, I would like to see Cornell give strong and clear answers to the following questions:

For tomorrow’s world, what should a well-educated person know?

What should she be able to do with her mind?

To contribute to her society?

These are tough questions. They are particularly pertinent now, given the state of this country, when our national discourse has descended to the language of the gutter. It is the responsibility of universities to do what they can to raise the level of discourse. Here are a few thoughts:

First, we need citizens who can read closely and critically; otherwise they will be easy prey for political and Internet nonsense.

Second, we need citizens who can reason intelligently and ethically; otherwise, we will continue to suffer from shallow arguments and dishonest leadership.

Third, we need citizens who can speak and write clearly and persuasively; otherwise, they will be incapable of convincing others of their views.

Fourth, we need citizens who can do independent research; otherwise, they will depend upon someone else to tell them what the facts are.

Fifth, we need citizens who can analyze quantitative arguments common to math and the sciences; otherwise, they will be unable to assess issues of critical importance.

Finally, we need individuals who have intellectual curiosity and a lifelong desire to keep learning; without those assets, they will not escape the vapid consumerism and celebrity culture that is all around us.

Those are general goals, as I see it, of a liberal education.”

Cornell University President Hunter Rawlings, “State of the University”, October 28th 2016. Comments have been condensed and reformatted.

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An Arbitrary And Not Comprehensive Ranking Of My RSD16 Purchases, ~48 Hours Later

Saturday was Record Store Day 2016, which saw local vinyl shops filled with limited new releases. I went a little nuts, and this is a fairly quick take on what I bought. Thanks to Turntable Lab for making the process painless, and to Dan Budiac for keeping me company in line.

lush-origami

#1 – Lush / Origami

Beautifully packaged, beautifully mastered, and the download codes contain a ton of demos and unreleased tracks. Glad I splurged on this.

whitestripes-peel

#2 – The White Stripes / The Complete John Peel Sessions

Didn’t even know this was getting released. Missed how raw TWS could sound.

RfaD

#3 – Clint Mansell feat. Kronos Quartet / Requiem For A Dream

One of the greatest all time soundtracks, with new material and gorgeous packaging.

tgt-tls

#4 – The Go! Team / Thunder, Lightning, Strike

Has been on my favorite albums list for a while. This would be higher if it wasn’t for the nitpicky issue of this being the other version of T,L,S. (There’s this weird thing where there’s two very similar versions of the same album with some differences in the vocals and samples, and I’m used to the other one.)

The Diary

#5 – J Dilla / The Diary

Didn’t realize this was going to be a vocal album. Digging what I’ve heard so far but I need more time with it.

Cassanova 70

#6 – Air / Casanova 70

Not normally crazy for splatter designs, but it looks nice in person and it’s a reissue of a classic Air track.

Chvrches

#7 – CHVRCHES / Every Open Eye (The Remixes)

Haven’t spent much time with this, but liked what I heard. Annoyed the download code doesn’t work (yet), and doesn’t have a fully design sleeve.

JK+DP

#8 – Junior Kimbrough + Daft Punk / I Gotta Try You Girl (Daft Punk Edit)

Not what I would’ve expected out of a Daft Punk remix/edit, but a solid 15 minute reworking of a soul classic. Nice etching on the B side.

if

#9 – If Music Presents You Need This: Eastern European Sounds (1970-1986)

Some interesting exotic tracks, but Alojz Bouda’s “Random (Naslepo)” was one of those songs you drop the needle on and immediately rip it back off the vinyl.

planetrock

#10 – Afrika Bambaataa & Soul Sonic Force / Planet Rock (Remixes)

A little underwhelmed with what I heard of the remixes. But one of those classic songs that felt mandatory.

disney

#11 – VA / Disney’s Favorite Songs

Was hoping this would be more than just a by-the-book compilation of well known Disney songs. Dig the cover art, though.

hellokitty

#12 – Hello Kitty / Hello World

It’s telling that no one submitted this into Discogs for a solid 24 hours out of embarrassment. Luckily, I have no shame. Mostly just bought this for Katie’s Sanrio collection – the songs are pretty awful.

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Cheers to The Dead Rabbit

Despite it seeming to have been burned into my genes, I have never been much for drinking. Call it something between a character quirk, a lifestyle choice, and an explicit desire to not act like a complete fool. It was only within the last five years or so that I began to appreciate alcohol a bit more.

New York, being a rather thirsty city, has endless opportunities for those who need a drink. Dive bars, frat bars, pubs, trendy cocktail lounges, speakeasies – the city manages to run the gamut from slouchy to upright, from $2 PBR to $15+ for a mid-shelf cocktail.

Over the last decade, I had not yet found *that one place* to drink, the bar that feels like home. Something not snooty, not a dive, but just kind of nice. Somewhere with character, but not a gimmick. Somewhere preferably with decent food (because drinking on an empty stomach is deadly). A decent location. Those sorts of things.

It was April 27th of last year when I first stepped foot into The Dead Rabbit, and knew pretty quickly that I had finally found *that one place*. Downstairs was pints and meat pies, an absurd collection of irish whiskey, and high-quality takes on classic cocktails. Upstairs was teacups of punch and dollar oysters, someone at the piano, and bartenders in red shirts and suspenders moving so rapidly between tincture bottles it’s occasionally indistinguishable from magic.

I defy anyone to try the Irish Coffee and not fall in love.

So try to ignore their daunting list of industry honors after only being open one year: “Best New Bar”, “World’s Best Cocktail Menu”, those sorts of things. Try to put the long wait to get upstairs out of mind. It’s worth it. It’s incredibly worth it. And I say that as someone who’s not much of a drinker.

To Jack, to Pam, to Chris, to Anna, to James, to Laura: happy birthday, friends, and thank you for everything.