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Some Thoughts on Gordon Ramsay at The London

I will readily admit that when it comes to fine dining, I am often out of touch. If you take all the places I’ve eaten since moving to the city over three years ago, and compare that list to the Michelin Guide NYC 2006, I have all of one star of dining experience. Granted, I did eat there twice – but it’s still the same star. I tend towards cheaper fare, but my eye drifts from time to time. Problem: I don’t like to fight for tables.

When the opportunity arose to eat at the new NYC restaurant of a [familiar chef](http://fox.com/hellskitchen/) who has eight Michelin stars under his belt, I thought, “Maybe it’s time to give this a shot.”

So two months ago to the day, I called up and made reservations for [Gordon Ramsay at The London](http://www.gordonramsay.com/internationalrestaurants/newyork/) for tonight, Katie’s 27th birthday. The restaurant, as of our visit, is just about 4 weeks old.

As I sit here, I realize it’s hard to do the meal justice without sounding like I’m gloating. I don’t want to gloat, and it’s certainly not my intent here – I want everyone to be able to experience food like this at one point or another in their lives. Food is one of the greatest pleasures in life – so many of my favorite memories revolve around eating and drinking with friends. Don’t deny yourself the opportunity, should it arise, to have a truly great meal.

My dinner consisted of:

* A glass of 1985 Veuve Clicquot Rose (quite refreshing, lovely color, nice rounded taste that wasn’t easily classified)
* Amuse Bouche: Gordon’s signature white bean cappuccino, flavored with mushrooms and black truffle (I broke my “no mushrooms” rule for this one, and it was worth it.)
* Lobster ravioli, poached in its own bouillon with celery root cream, shellfish vinaigrette and chervil velouté (The velouté was actually what made this dish – it added just the right balance to the lobster.)
* A bottle of 2004 Schaetzel Gewurztraminer. (Yes, I drink Gewurztraminer with just about anything, and this is probably the best bottle I’ve ever had. Lovely gold color, just the right level of sweet, good viscosity – drank more than I probably should have.)
* Roast cannon of lamb with confit shoulder, candied onions, Imam Bayildi and marjoram jus (I was not crazy about the Imam Bayildi. I was extremely crazy about the rest, particularly the confit shoulder.)
* Palette cleanser: Roasted pineapple with vanilla yogurt and crystallized cilantro (was hoping to have this, and if there’s any complaint, it’s that I finished it too quickly.)
* Valrhona chocolate fondant with milk ice cream (to be honest, this was the most disappointing course – it wasn’t bad, but everything before it was excellent, so since this only came in at “good”.)
* Treats off the bon bon cart (at this point, my stomach was swearing at me, even after sedating it with a lime-vanilla marshmallow).
Katie’s dinner replaced the ravioli with a “mosaic of fruit de mer”, the lamb with a pigeon and foie gras dish, and the added bonus of a birthday scoop of strawberry-pomegranate sorbet.

I wasn’t surprised the food was excellent – the real test was going to be the service. As a frequent Eater reader, I had seen all the reports coming in – things about two hour seating time limits, inconsistencies, photo bans, and so on. I regularly have to deal with less than stellar service, so I lowered my expectations a smidge.

Turns out, that wasn’t necessary. All of the wait staff was attentive, pleasant, and polite; pretty much everything I want out of wait staff. When a small photo crew showed up to take some press shots, our server gently asked us if it was okay. (As a quasi-photoblogger, who am I to object?) My only complaint was that one of the wait staff had such a thick french accent, I often had a hard time understanding him.

The strange highlight of the evening was hinted at early on, when our first server mentioned casually in conversation that tours of the kitchen were available. (I can’t imagine this is the case on busier nights, but this was a Monday.) After dessert, Katie asked if it would be possible, and a few minutes later, we were back in the kitchen. The kitchen is fairly massive, as one that supports two restaurants + room service should be. We got to meet Neil Ferguson, the Chef de Cuisine, as well as Gordon himself (who I should note, for the sake of those who have only seen Hell’s Kitchen, was both polite and very sweet). There’s also a nice large private table where they serve a nine-course chef’s choice menu for six to eight.

Quick word about the decor – the restaurant has around twelve tables, and the space is balanced nicely between too intimate (read: crowded) and too sparse. The look is suitably modern yet tasteful.

Given how fickle the NYC dining scene is, I have no idea how Gordon will do here in the city – but as far as my unrefined palette goes, I was extremely happy, and plan on making a trip back sometime next year.

P.S. Long time readers may remember that when I used to do restaurant recommendation lists, I [referred to Aureole](https://vjarmy.com/archives/2004/07/top_10_nyc_rest.php) (the source of my single Michelin star above) as crossing the “costs more than the top of the line iPod” line. Taking into account Apple’s current pricing levels and the amount of wine at the meal, this meal also crossed that line – but I can safely say that a meal at Gordon Ramsay doesn’t necessarily have to break that threshold.

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Recommended

Sidekick 3: Hands On

Around the turn of the century, consumerism took an interesting turn: cultism became favorable. No longer was there just the mass market and a void, but small niche markets became common, sought after, marketed at. (No blog post along these lines would be complete without shouting “LONG TAIL!” at the top of the author’s lungs, and I will not break the trend.) I belong to a number of shopping cults: my memberships in [the cult of Apple](http://www.flickr.com/photos/remydwd/19415606/) and [the cult of Bemani](http://www.flickr.com/photos/remydwd/1573382/) are well documented.

Today, I realized that I had a third major cult membership: the cult of the Sidekick.

Don’t get me wrong – I was fully willing to admit my Sidekick addiction for the two and a half years I’ve owned one. It is nearly inseparable from my hand to the point where it often feels like a body part rather than a cell phone. It is difficult for me to survive without one: it manages all of my email, the majority of my IM conversations, serves as my primary syndicated feed reader, and acts as my notepad for random nuggets of information.

But this morning, I stood in line with what I would estimate as roughly 500 people on 41st and Madison, waiting patiently for our chance to purchase a Sidekick 3. Again: these were not giveaways, these were people waiting in line to *buy a cell phone*. Again: **cult**.

With that said: while there are a number of professional reviews available about the Sidekick 3, very few go into the technical aspects and random questions that tech wonks like myself have. This post is my best attempt to answer the questions I had before I got my hands on one. I hope you find this useful.

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Recommended

Inside DJ Shadow’s ‘Public Works’

After getting dicked over on the 1st by the Kid Robot staff, today I returned to the store and found that they, in fact, still had [the DJ Shadow box set](http://www.obeydjshadow.com) I was [previously lusting after](https://vjarmy.com/archives/2005/08/public_works.php) still in stock – and even in my size, to boot. After getting it home, I promptly shot the hell out of it and bring you the hot hot details.

The box is adorned with [cool artwork](http://www.flickr.com/photos/remydwd/46247879/) and a [number on the back](http://www.flickr.com/photos/remydwd/46247398/). Opening the box finds all the contents neatly wrapped in a [paper holder with a “flamable materials” sticker](http://www.flickr.com/photos/remydwd/46247664/). When you unpack it, you’ll find…

Five t-shirts, the [“Post No Bills” book](http://www.amazon.com/exec/obidos/tg/detail/-/1584230932/), the [Funky Skunk mix CD](http://www.flickr.com/photos/remydwd/46249166/), and a manilla envelope [full of stickers and buttons](http://www.flickr.com/photos/remydwd/46249389/).

Public Works: Shirt #1 Public Works: Shirt #2 Public Works: Shirt #3 Public Works: Shirt #4 Public Works: Shirt #5

A quick judging of the t-shirt designs (and I’m making most of these names up): I’m not crazy about [“Portrait”](http://www.flickr.com/photos/remydwd/46248475/), but [Crane](http://www.flickr.com/photos/remydwd/46248591/), [Take Action](http://www.flickr.com/photos/remydwd/46248705/), and [Molotov](http://www.flickr.com/photos/remydwd/46248809/) are quite nice and I can see myself wearing them in public. The [Grim Reaper World Tour](http://www.flickr.com/photos/remydwd/46248952/) shirt – which I should note, is not available outside of the box set (unlike the rest) – is particularly remarkable in that it takes what is already an amazing box set and just makes it approximately forty-six times better. (That’s rounding down, mind you.) All the shirts have nothing printed on the back, are high quality cotton, and have a small Public Works logo thing on one arm.

The book contains a variety of pictures from Shepard Fairey’s [OBEY](http://www.obeygiant.com/) project; locations around the world where the pastes are up, some action shots as they go up. Very nice art book, perfect for a coffee table.

The CD – well, I haven’t had much of a chance to listen to it much yet, but it sounds like a very well done mix with lots of obscure hip-hop source material. It’s 66 minutes long, and the CD looks remarkably similar to the artwork on the front of the box/the Take Action shirt.

The envelope contents include buttons for the first four t-shirts, stickers for them, some Obey project stickers, and some advertising for the Public Works set.
All in all? I’d say it’s definitely worth it, if you’re a DJ Shadow fan.

(If you’d just like to browse all the linked pictures, check out [my photos tagged with “publicworks”](http://www.flickr.com/photos/remydwd/tags/publicworks/).)