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Created

Gentlemen – BEHOLD!

Over the last week, an acquaintance posted Kurt Vonnegut’s Rules For Short Story Writing. Number 7 starts with “Write to please just one person.”

This is not a short story, nor a short film, nor anything that could really be treated as art. This is another stupid mashup. But if it pleases just one person, I will feel at least mildly pleased.

Last week, Katie and I went to see [Aqua Teen Hunger Force Colon Movie Film For Theaters](http://www.adultswim.com/shows/athf/movie/index.html). I will spare you more of a review than to say that if you’ve ever liked ATHF, you will enjoy this movie. And if you haven’t ever watched ATHF, or have never enjoyed it, you will hate this movie.

Anyhow. During the movie, a plot device of the movie is nearly always accompanied by a somewhat catchy dance tune. I checked the soundtrack after returning home, and the song is titled “I Like Your Booty (But I’m Not Gay)”.

The following bullet points explain my train of thought after learning this.

* That’s fucking hilarious. And this song IS good.
* You know, the beat is pretty well defined. This would be easily manipulated by most music programs.
* This is easy mashup material. But what do I mash it with? What’s a song I won’t mind ruining?
* Of course. Daisuke.

[Daisuke](https://vjarmy.com/wiki/index.php/Daisuke) may be the most joked about Beatmania IIDX song in history, largely due to its over-the-top para para video.

I loaded everything into my freshly upgraded Ableton Live 6, and started hacking the bones. Fifty minutes later, I had compelling evidence that I need help.

So, ladies and gentlemen: I give you Insane-O-Flex vs. Y&Co. I give you my seventh (good lord) mashup. I give you…

I Like Your Booty, But Daisuke

Previous Bemani-related mashups:

* [The Bingo Roaster](https://vjarmy.com/mashup/bemani/01%20The%20Bingo%20Roaster.mp3)
* [Night Of QQQ](https://vjarmy.com/mashup/bemani/02%20Night%20Of%20QQQ.mp3)
* [Tracing Your Deadlines](https://vjarmy.com/mashup/bemani/03%20Tracing%20Your%20Deadlines.mp3)
* [Valesynctorian](https://vjarmy.com/mashup/bemani/04%20Valesynctorian.mp3)
* [Let Them Dunk](https://vjarmy.com/mashup/bemani/05%20Let%20Them%20Dunk.mp3)
* [TEXTURE66](https://vjarmy.com/mashup/bemani/06%20TEXTURE66.mp3)

Categories
Found

Hot Fuzz Trailer

Stop whatever it is you’re doing – the Hot Fuzz trailer is out.

For those of you just joining us, [Hot Fuzz](http://workingtitlefilms.com/film.php?filmID=99) is the follow-up to *Shaun Of The Dead* from Simon Pegg/Edgar Wright/Nick Frost.

Can’t wait.

Categories
Recommended

Tideland: Notes And Thoughts

[The Museum of the Moving Image](http://www.ammi.org/) tonight presented a preview of Terry Gilliam’s new film, [Tideland](http://us.imdb.com/title/tt0410764/), as well as a Q&A with Gilliam himself. As a long-standing Gilliam fan, this was something resembling a dream come true.

Some notes from the Q&A:

* He described taking on *The Brothers Grimm* as being “desperate for work”, although he said he wasn’t disappointed with the product so much as the process.
* *Tideland* was edited at the same time as *Brothers Grimm*.
* He came across Tideland in the pile of materials he is sent from people he doesn’t know. The author had only sent it to get a quote for the jacket, but Terry was immediately pulled in to the book and wanted to make the film. He did provide a jacket quote of “Fucking Marvelous!”.
* *Tideland* was a joy to make: the crew was great, the producer left him alone to shoot the movie however he wanted, and they filmed in Saskatchewan, which was basically as far away from “the world” as they could get.
* The only substantial difference between the book and the movie is that the movie is not shot in the first person. This adds some tension, and makes the movie a bit more “difficult” than the book. Part of the reason for this was because Gilliam wanted to avoid traditional narrative films. He complains that movies are too similar in rhythm anymore, like pop songs.
* He considers the movie a “litmus test of people”. He knows some people will love it, and some people will hate it – he really just wants to get people thinking. He has had “some wonderful almost-fistfights over the film”.
* Jeff Bridges has the major prop of the film sitting in his garden. I will not spoil what this is, but if you see the movie, you’ll be able to figure it out without too much difficulty.
* He had nothing but kind words about [Jodelle Ferland](http://us.imdb.com/name/nm0272706/); he claimed that the dynamic on set was reversed, so that he was the kid and she was the adult.
* The most surprising question of the night was when someone asked if he had any words for aspiring filmmakers who wanted to follow in footsteps. In extremely strong terms, he said that it was nearly impossible: that he was the last of a dying breed; that even he is having problems funding his movies or getting distribution deals; that the studios are in a panic; that independent studios are a sham and owned by the major studios. He was actually getting choked up while laying it out this bluntly.

As for the movie: in my eyes, it was glorious. It is certainly not for everyone, and requires a fairly open viewpoint on the world. This isn’t because anything in the movie is terribly controversial, but because it’s a true picture of how children deal with a strange world around them (instead of the way movies tend to paint them). With a lovely score, a strong cast (Jodelle is in practically every scene), and absolutely gorgeous cinematography, Tideland will certainly please Gilliam fans, and will probably baffle more than a few people along the way.

Tideland opens in New York on Friday, October 13th.