Categories
Disliked

By Popular Request, Nine Years Late: Why I Hate Midnite Blaze

3,295 days ago, I penned a blog post reviewing a newly released Bemani remix CD, “V-Rare 5”. Within the context of that review, I wrote the following to open my discussion of track 6, “Midnite Blaze (SySF Mix)”:

And this will be a really tough sell because I HATE Midnite Blaze.

This may seem to casual observers like an awfully specific and odd sentence in the over 1,500 blog posts to point out. I would agree. Which is why I was left dumbstruck by a tweet I received this evening from @Tim_at_where:

"@Remy Please don't block me for this, but care to give me a history lesson on your #haterade toward Midnite Blaze by @U1_ASAMi?"

Well, Tim, since you asked…well, wait, I haven’t listened to that particular DDR standard since probably around 2005. For the sake of remembering it, here it is on YouTube:

Ah. Right.

I hate Midnite Blaze mostly because of the vocals. Scott Dolph‘s rapping was always way down my list of favorite things, and it’s pretty laughable here (“Step by step as I approach / I say to myself I need a coach”). The delivery is way too fast and comes in at really weird pitches. Listen to the second section of his rap – it’s all over the place, like he’s reading the words from the page for the first time and not sure which way his voice should go. And he wrote the lyrics himself, if his RemyWiki page is to be believed. For the record, I never liked Drop The Bomb either.

The refrain comes in at such a high register it gives me a headache, and just as lyrically bizarre. And for what it’s worth, the synth line also feels derivative – it’s a touch too close to Naoki’s Broken My Heart.

For whatever it’s worth: in the 9 years since I wrote that review, the only DDR music that remains in my iTunes library are the 2nd Mix and DDRMAX soundtracks, as well as the BEMANI BEST FOR 10TH ANNIVERSARY compilation and various Diverse System remixes. All the Dancemania albums and V-Rares EPs are gone.

And hey: anyone else has random questions about what I meant a decade ago, don’t be shy! I’m more than happy to elaborate – if I can remember what I was talking about!

Categories
Best Of Endured

Bucket Of Tears: A Review Of Dance Dance Revolution The Musical

Buckets Of Tears

It is a strange experience to watch something you once obsessed over – but no longer care for – get bastardized. You can tolerate much of it, perhaps even find some humor in it, because it’s no longer something you care for. But part of you can’t help but recall how strong that obsession once was, and feel that sharp taste of injury in the back of your throat.

I sat for 90 minutes last night in the Ohio Theatre, taking in the third public performance of Dance Dance Revolution, a new musical by Les Freres Corbusier.

For context: I started playing Dance Dance Revolution in September of 2001, and played at an unhealthy clip until the end of 2004, at which point things started to tail off. By this year, I’ve played less than 3 rounds worth of arrow smashing; I have moved on to other games to fulfill my music game addiction. But if I find myself near an empty DDR machine, chances are I will find my way back onto that stage and stomp through a few songs for old times’ sake.

Also: I am not a professional theatre reviewer. I do not frequently go to the theatre proper – I average 2.5 plays/musicals a year. This review should not be taken as anything more than a gamer opining on a show claiming to be inspired by a game he used to play.

Also: I ingested no alcohol or drugs prior to, during, or after the show.

Categories
Endured

Strictly Business

Les Freres Corbusier present their latest show, the world premiere of Dance Dance Revolution, created by the company, directed by Alex Timbers, and featuring original songs by Gary Adler and Phoebe Kreutz.

Les Freres transforms the Ohio Theater into a fully immersive, bombed-out discotheque as it fuses unmerciful Japanese rave music with deeply regrettable sophomoric comedy in the futuristic dance spectacular, Dance Dance Revolution.

Riffing on fizzy dance musicals like Flashdance and death sport movies such as Rollerball, the show is set in an Orwellian society where dance is illegal. A group of local street toughs harbor no hope of overthrowing the fascistic no — fun government — until a mysterious dance prophet named Moonbeam Funk arrives.

Inspired by the wildly popular video game of the same name, Dance Dance Revolution is like Footloose set in the future — but much scarier, and with 40 really attractive, barely-clothed young actors as well as free beer!