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How Would The Lone Ranger Handle This?

There’s something about October in New York City that seems to make it particularly likely there’s an event you want to go to. Last year, we hit Paul Van Dyk, Neal Stephenson, John Lithgow, and Jamie Oliver.

As a reminder: tomorrow continues the juggernaut of October 2004, as Ricky Gervais invades the holiest of museums, the Museum Of Television And Radio. There’ll be a screening of The Office (Christmas) Special, and then a “conversation” with Ricky directly thereafter. While I doubt the entire event is going to be quite on the insanity level of the Anchorman premiere, it should be a fantastic time.
Making it potentially even more fantastic is something that I may get to meet a blogger I admire very much right beforehand; I’ll save that for another post, though.

As usual with MTR functions, I’ve posted event details on upcoming.org, just in case you’re in NYC and interested and I haven’t talked your ear off about this already and you missed the last post about it. Expect a long-winded starstruck post tomorrow night!

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I Heart The MTR

In my mailbox yesterday:

On the back:

Please Note: It has come to our attention that Ron Burgundy does not exist, but is in fact a character portrayed by one Will Ferrell, late of Saturday Night Live and the feature films Elf and Old School. Bill Kurtis does exist, however; the documentary producer, host, and news anchor will interview Mr. Ferrell, who will appear in character as Ron Burgundy.

All of this confusion will be resolved by the new film Anchorman, a comedy directed by Adam McKay and costarring Christina Applegate, Paul Rudd, Steve Carell, David Koechner, and Fred Willard, which will be screened in its entirety at this event. Anchorman, produced by Judd apatow (Freaks and Geeks) and Shauna Robertson, excutive produced by David O. Russell, and coproduced by David Householter, will be released nationwide on July 9.

We apologize for any inconvenience or emotional distress caused by the above.

Tickets for members were $20 – and given that includes seeing the movie before release, plus watching Ron Burgundy LIVE, I think that’s a fantastic deal. It’s also two days before the next Tinkle Show, which means that’s going to be a hell of a week.

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QQQ

Last weekend was quite busy in terms of arts consumption. Having taken in one movie, one broadway show, and one concert – all excellent in their own ways – I felt stuffed and incapable of ingesting more culture into my already full content-hole. But behold, it’s all digested and now ready to come shooting back out of me in the form of reviews.

The movie? Quentin’s latest, Kill Bill Volume 2. After being mildly disappointed with the first, I came into the second with my expectations lower. This quickly became needless because the movie destroyed my notions of what QT could achieve and constructed new, loftier expectations for all future movies. The only bad thing I can find to say about this movie is that some of the scenes ran long. Outside of that, it was gravy. Particularly standout was Michael Madsen’s performance as Budd, both absofuckinglutely brilliant and nuianced. Go seee it now, and if you skipped the first part, rent (don’t buy) the DVD first so you aren’t lost.

The show? Avenue Q, which we were fortunate enough to see thanks to my parents. The phrase “Sesame Street On Crack” seemed apt after we left; it was brilliant and hilarious and still somehow touching. Standout songs include “What Do You Do With A BA In English / It Sucks To Be Me”, “Everyone’s A Little Bit Racist”, and “Schadenfreude”. John Tartaglia and Stephanie D’Abruzzo were both excellent in every role they handled. If you ever come to the city on tourism and want to go to a show, this is the one to see.

The concert? The previously mentioned causing-the-shitting-of-bricks Quannum World Tour. Now, I’ll come right out and say this wasn’t as fantastic as I had hoped. The problems with the show were, in my eyes, represented in three seperate “artists”. DJ D-Sharp, while amusing at first, mugged too much and merely added annoyance to the show. The Lifesavas Movement, while decent, were in the end forgettable, and since they were out almost as much as anyone else, it deadened parts of the show. Finally, Gift Of Gab (on his own or as half of Blackalicious) is certainly a gifted rapper, but his delivery was crap live. There were times when he just didn’t seem to be paying attention to the beat and was just spitting the lyrics out as fast as possible.

So what saved the show? Obviously, part of it was DJ Shadow. Shadow’s set was nothing to write home about, as it was good but short. The primary reason he brought it all together for me is because he’s so goddamned focused. Even with 5 MCs and 2 other DJs sharing the stage, he’s got his head to the vinyl, very serious, never mugging for the crowd. He is the eye of the hurricane. (Also, his use of a dvd turntable – surely to be widespread by next year – was a huge bonus.)

But equally stunning was Lyrics Born. Not only did he have the crowd eating out of his hand most of the night, but his vocal range and talent is astounding. I’m going to actively seek out his solo cd because he is just incredible. Do yourself a favor – go to the Quannum website, flip through the records at the bottom of the page till you find the I Changed My Mind single, and play the album version. It’s one of the best hip-hop songs I’ve ever heard.

This weekend, Katie is back in Maryland, so I’m all alone for a few days. I’m planning on playing Beatmania to-de-excess, hitting up the MTR again to finish the programs from last week, and maybe getting some UT2k4 in. We will see.