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Some Thoughts On Games I’ve Recently Played

Arranged alphabetically by game.

Assassin’s Creed, despite being janky and repetitive, and reminescent of the grand tradition of Rare-style collect-a-thons (“Help, Altair! Collect 18 flags in three minutes and I’ll give you the item you need!”), remains strangely enjoyable. I can’t put my finger on why, but I did notice my enjoyment went up considerably when I stopped worrying about the flashing “SOMEONE IS WATCHING YOU” meter and just ran around like a noisy dickhead assassin.

Audiosurf came onto my radar as the HOT INDIE MUSIC GAME to play this year; it’s available on Steam for $10. It is quite a lot of fun, and I enjoy throwing random songs at it. That said, I’m not experiencing the lose-hours-at-a-time thing many others in the community are.

For some inexplicable reason, I played all the way through the story mode of Bomberman Land 2. In hindsight, I wish I hadn’t.

Burnout Paradise shows how to re-invent a game series properly, even if that involves pissing off a large portion of your fanbase while you hold out your hands and swear it’ll be all right.

It only took Namco Bandai a year and a half to get Culdcept Saga released in the US after putting it out to die in Japan. I fit the target demographic perfectly: the card game nerd who also likes board games. Consequently, Katie hates the game with every fiber of her soul.

Devil May Cry 4 seems to have held my interest for the same length of time as every other DMC game: five levels. Actually, this may be longer than the previous games. No idea when I will return to it.

When Rockstar put their games on Steam, I took the opportunity to buy the GTA Complete Pack. It is such a thrill to actually be able to accurately shoot thugs with a regular mouse and keyboard interface rather than struggling with shoulder buttons.

During a week off from work in January, I played Mass Effect start to finish. It’s rare to find a game where the plot keeps me playing through horrible gameplay, but here we are. After one run through as a virtuous Infiltrator, I started a second play-through so I could be a jerk to everyone in the galaxy. Even that wasn’t enough to keep me playing, sadly.

I am not one to buy a lot of sports games, but the demo for MLB 08: The Show reminds me of why I loved last year’s edition so much: it’s not so much the sport as the technical accomplishments of what can be done taking a real life game and putting it into a video game.

Along the same lines, I picked up a pre-owned copy of NHL 08 today solely based on good buzz for it. The gameplay itself is surprisingly fun; I just wish EA would figure out how to make a sports game with a halfway decent menu system for people that are new to their series.

My immediate thought upon playing No More Heroes is “Suda must be fucking insane”. I’d like to expand upon that: he must be insane to have come up with such a high art game concept, and he must have been equally insane to load it down with the worst overworld engine I’ve seen in any game in the last five years.

Patapon is easily the must have PSP game of the first half of this year.

Poker Smash for XBLA is an enjoyable twist on the Tetris Attack formula. Unfortunately, I am largely terrible at it.

Professor Layton found an odd place with me. On one hand, as a child who read things like What Is The Name Of This Book? and Puzzlegrams, it’s basically a living breathing puzzle book. On the hand, it’s a goddamn electronic puzzle book. Were I still 12, this would be my dream game – but seeing as I’m 27, it makes me wonder why I was ever entertained by matchstick puzzles.

I picked up Rez HD when it hit XBLA, but I didn’t get a chance to finish it until this past weekend. I always liked Rez, but it never clicked – and apparently, the reason was because I never got very far into the game. Area 5 made it click.

Rock Band remains the most compelling gaming reason to buy an Xbox 360 or Playstation 3.

The greatest gaming travesty I can point my finger at right now is that Singstar PS3 is not yet out in the US. I say this not because the game is perhaps the best pure karaoke game ever made (it is), and not because the online functionality is incredibly easy to use (it is), but because the US SingStore isn’t up, and I can’t buy any extra tracks. And that, my friends, is a travesty.

If you don’t own Team Fortress 2, you are part of the problem.

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Recommended

Thoughts on Southland Tales

It’s been about five hours since I left the screening for Southland Tales.

Southland Tales is the much maligned second film from Donnie Darko director Richard Kelly. It (somewhat famously) was ripped to shreds by critics at Cannes 2006 – Roger Ebert described it as “the most disastrous Cannes press screening since, yes, ‘The Brown Bunny'”. Forced back into the editing room, ST has been cut down slightly, and put into limited release this month to the sound of even more critical shredding. It’s currently holding a polarized 33% on RottenTomatoes.

I cannot begin to describe the plot. The best approximation would be to read the film’s keywords listing from IMDB, which I will reproduce here:

alternative timeline, anti conformity, apocalypse, apocalyptic, big corporation, blackmail, conspiracy, doppelganger, dream like, dystopic future, ensemble, fourth of july, friendly fire, future noir, government corruption, heat wave, ice cream truck, kidnapping, marxism, metaphysics, near future, nuclear weapons, political, porn star, riot, satire, split personality, surveillance, time travel, zeppelin

My initial impression, upon the credits rolling, was that it is the most gloriously incomprehensible movie to come from someone not named David Lynch I have ever seen. And I’d like to stick by that, if you don’t mind – it feels like a Lynch film, certainly more parts Mulholland Drive than parts Eraserhead.

I’ve certainly found RottenTomatoes to be wrong before, but I’ll be honest: there exists a significant chance that you could hate this movie. It is, as many reviewers on both sides of the fence pointed out, a mess. There exists a significant chance you’ll dislike it. It’s not mainstream, and possibly not even acceptable enough for the “underground”.

But, to remain honest, I did love it. Even amongst the mess, I found reasons to laugh, to be afraid, to cringe, and to smile. Within the busy backgrounds and near sensory overload lay extra jokes, bits of story lines, and small details for those paying attention. It is a movie that, in some small way, rewards NADD.

To tweak a line from the Boston Globe, it is a messy movie for our messy times. And for that, I recommend Southland Tales.

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Recommended

Paley Center Fall Schedule

I hold three museum memberships within the city; the one I hold most dearly is my membership to the Paley Center for Media, formerly the Museum of Television and Radio. They just announced their fall schedule, and the events are worth looking at.

(Ticket prices are listed with member prices first, and non-member prices second. Ticket on-sale dates differ depending on a few factors, so check the website if you’re interested.)

NYC

Media as News & Views

Includes three seminars: Beyond the Anchor Desk: The Rise of Citizen Journalism , Extraordinary Work: A Conversation with the IWMF Courage in Journalism Honorees, and Truth and the Iraq War: Frank Rich Converses with Television Journalists. Notable panelists and guests include Andrea Mitchell and Dan Rather. Series is $35/60, individual events are $15/25. [link]

Media as Entertainment 1

Includes four seminars: An Evening with Mary Tyler Moore, An Evening with Glenn Close, An Evening with Angela Lansbury, and An Evening with Kyra Sedgwick and The Closer. I don’t think I need to tell you who the guests are. Series is $85/100, individual tickets are $25/35. [link]

Media as Entertainment 2

Includes three seminars: Upright Citizens Brigade, Fun Facts, Top Tens, and Stupid Humans: The Writers of Late Show with David Letterman, and Scrubs: The Farewell Tour. Guests include all four members of the UCB and seemingly all major cast members of Scrubs. Tickets are a steal: $35/60 for series, $15/25 individual. [link]

Docfest

This year’s docfest includes some notables: To Die In Jerusalem, Larry Flynt: The Right to be Left Alone (Larry Flynt appearing for Q&A), and Amazing Journey: The Story of The Who, where Roger Daltrey and Pete Townshend are scheduled to attend the event. Many ticket configurations are available, so check the site. [link]


LA

(Yeah, I don’t live in LA, but I always get jealous at their festival schedule.)

Latino Media

Two events: Gael GarcĂ­a Bernal, Diego Luna & Pablo Cruz on Cinema, Politics, and Mexico’s New World View, and Raising Cane: Behind the Scenes. Prices are $25/43 for the series, or $15/25 individually. [link]

Media as Entertainment 1

The most mainstream of the four Entertainment schedules: Two and a Half Men: 100th Episode Celebration , American Masters Premiere: Carol Burnett, Inside the Creative Process: Tom Selleck on Jesse Stone, and ER Celebrates the Big 300!. Series is $50/85, individual tickets are $15/25. [link]

Media as Entertainment 2

Here comes my jealousy: Inside Robot Chicken (Seth and Matt and others to appear), Lovin’ Las Vegas, A Night in Hell’s Kitchen (Gordon Ramsay appearing), and the duality of Scrubs: The Farewell Tour. Series for $50/85, individuals for $15/25. [link]

The Subject Is Media

Just two, and not what I had anticipated: Smoke and Sympathy: A Toast to Mad Men, and Back in Circulation: A Lou Grant Reunion. Can’t go wrong with Ed Asner. $25/43 for both, or $15/25 individually. [link]