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Created Reflected

Clippings

Over the last few weeks, the writing stuff got a little hectic and surreal. I contributed to a piece in the Guardian, had another piece cited by the New York Times, and then had a NY State Assemblyman chase me down to correct a misquote in the Wall Street Journal.

In the spirit of making sure I keep tabs on all of this, I’ve thrown together a quick clippings page. It’s not every last thing I’ve written, just the posts of significance or things I liked.

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Created

Emergency Exit

Emergency Exit by Dan Dickinson

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Disliked

By Popular Request, Nine Years Late: Why I Hate Midnite Blaze

3,295 days ago, I penned a blog post reviewing a newly released Bemani remix CD, “V-Rare 5”. Within the context of that review, I wrote the following to open my discussion of track 6, “Midnite Blaze (SySF Mix)”:

And this will be a really tough sell because I HATE Midnite Blaze.

This may seem to casual observers like an awfully specific and odd sentence in the over 1,500 blog posts to point out. I would agree. Which is why I was left dumbstruck by a tweet I received this evening from @Tim_at_where:

"@Remy Please don't block me for this, but care to give me a history lesson on your #haterade toward Midnite Blaze by @U1_ASAMi?"

Well, Tim, since you asked…well, wait, I haven’t listened to that particular DDR standard since probably around 2005. For the sake of remembering it, here it is on YouTube:

Ah. Right.

I hate Midnite Blaze mostly because of the vocals. Scott Dolph‘s rapping was always way down my list of favorite things, and it’s pretty laughable here (“Step by step as I approach / I say to myself I need a coach”). The delivery is way too fast and comes in at really weird pitches. Listen to the second section of his rap – it’s all over the place, like he’s reading the words from the page for the first time and not sure which way his voice should go. And he wrote the lyrics himself, if his RemyWiki page is to be believed. For the record, I never liked Drop The Bomb either.

The refrain comes in at such a high register it gives me a headache, and just as lyrically bizarre. And for what it’s worth, the synth line also feels derivative – it’s a touch too close to Naoki’s Broken My Heart.

For whatever it’s worth: in the 9 years since I wrote that review, the only DDR music that remains in my iTunes library are the 2nd Mix and DDRMAX soundtracks, as well as the BEMANI BEST FOR 10TH ANNIVERSARY compilation and various Diverse System remixes. All the Dancemania albums and V-Rares EPs are gone.

And hey: anyone else has random questions about what I meant a decade ago, don’t be shy! I’m more than happy to elaborate – if I can remember what I was talking about!