Categories
Enjoyed

Eugene Mirman CD Recording Report

So, tonight was the first of two nights of taping for the next CD from the very funny Eugene Mirman. Here’s the notable bits:

Leo Allen opened with about 15 minutes of material, including a good bit about trying not to eat babies, even when they’re smothered in delicious baby sauce.

Eugene ran through a lot of his recent bits – the Edinburough hand-washing, the Planned Parenthood, a few others – as well as plenty I hadn’t heard before, which is always a bonus. Seeing the same comedians a lot in NYC can lead to recycling of material, so getting fresh material during tapings is always good – my laughs are a little more spontaneous, anyhow.

The thing I’ve grown to really enjoy about Eugene is his ability to stay aware of what’s going on. He chuckles as he goes, obviously enjoying himself. He’s aware when jokes aren’t working, and is able to cut himself off and playfully note that he’ll “fix THAT one for tomorrow night” or taunt “for those of you listening on the CD, you won’t hear this, as I’m cutting it out”. When technical difficulties abound, he can bounce back with some grace.

And boy, did he have to bounce back tonight – when he started one of his closing bits, which involved audio being played from the soundboard, he first managed to get the microphone stand wedged, unable to move with even the mightiest of forces. Then, while the bit was playing, it mysteriously crapped out, with the audio equipment breaking horribly. The solution? To have someone run downstairs and grab his bag from the coat room, bring up his iPod, and play the bit from there, which he had loaded on “just in case”. It ended up being smart thinking, and even with a low battery charge, he was able to get through the bit the second time.

It was a very good time, and hopefully the jokes that fizzled (and there were, sadly, a fair number) will be repaired tomorrow night for a nice full CD of material. Also making things enjoyable was the never-resting Kathryn Yu, who I do not actually disapprove of.

Eugene’s previous CD is, inexplicably, available twice from the iTunes Music Store, and highly recommended. The new CD will be available on SubPop sometime in the near future.

Categories
Enjoyed

Industry vs. Artistry Braindump

Tonight, at the Weill Recital Hall at Carnegie Hall, the [Carnegie Hall Notables](http://www.carnegiehall.org/textSite/support_the_hall/art_privileges_notables.html) (of which I am not a member) presented their first event of the 2005-2006 season, entitled “Artistry vs. Industry”, with four musical artists from a variety of genres speaking out about their experiences in these modern times. The panel included:

– **[Natalie Merchant](http://www.nataliemerchant.com/)**, of 10,00 Maniacs and solo artistry fame.
– **[RZA](http://www.wutangcorp.com/artist/getartist/artistid/9)**, of Wu-Tang Clan.
– **[Lou Reed](http://www.loureed.org/)**, of Velvet Underground and his own solo artist fame.
– **[Leila Josefowicz](http://www.stringsmagazine.com/issues/Strings86/CoverStory.shtml)**, a violin virtuoso.
– The panel was originally scheduled to be moderated by DJ Stretch Armstrong, but was instead taken by WMYC’s [John Schaefer](http://www.wnyc.org/shows/newsounds)

What follows are the few notes I was able to jot down after the whole affair ended.

– Lou Reed is a bitter but terribly funny man. He has huge disdain for music press. He was also wearing Nikes, which I’m not sure why I found interesting but at least made a mental note of.
– Leila seemed a bit shaken by the company, and said “Dude” a lot. She is, it was noted, one of the very few classical artists with a recording contract.
– Natalie was very relaxed, as was RZA.
– John Schaefer was wearing socks with flags on them. Again, not sure why this stuck in my head, but there it is.
– First mention of iTunes occurred about 2 minutes in.
– During some lamenting about the death of college radio and the gradual Clear Channelization of the airwaves, Natalie laughing mentioned that when she worked at her college station, she once on her show laid on the floor of the studio, totally high on something, and played Joy Division’s *She’s Lost Control* 75 times straight.
– Each artist had their own fair share of stories about getting dicked over:
– Natalie was locked into a contract for 18 years, which shocked Lou and RZA to a great extent.
– RZA got dicked on royalties early on in the Wu-Tang career.
– Lou brought up [Metal Machine Music](http://www.rru.com/~meo/music/mmm/) and what is now known in the music industry as the “Lou Reed Clause”, where artists have to release work “representative of the artist”.
– Leila mentioned that she can’t afford to buy her current violin, its on loan – it costs $3,000,000.
– Copyleft was brought up briefly, but both Natalie and Lou like to keep full control of their music. Nat brought up that she wants to keep control in case a group she objected to co-opted her song; Lou just seemed to want to keep his music locked down out of distrust of the music industry.
– Lou’s advice to new artists: “Keep the copyright, keep the publishing.”
– Lou is a big fan of satellite radio, and named dropped The Verbs as a band he discovered by listening to it.
– Natalie went independent not because she has a great desire to be The Man, but because she wanted to spend time with her son.
– RZA has a mountain in ohio he goes to for songwriting. It’s called Wu Mountain. I am not kidding.
– There in fact is a connection between RZA and Lou, in that RZA sampled *Venus In Furs* for a song on the Blade: Trinity soundtrack. Lou admitted that originally he denied all sampling request – what changed his mind? “I started liking some of the tracks.”
– All the artists lamented know-it-all engineers and producers.
– RZA and Natalie both use drum machines at home for starting work, but use real musicians in the studio for recording.

Sorry this is so scattered, it’s hard to take notes after the fact.

Categories
Endured

Gorillaz Q&A

Today, I burned my last two personal hours for the fiscal year on joining the crowd of fans at the Union Square Virgin Megastore to see the Gorillaz – or at least Damon Alburn, Jamie Hewitt, and DJ Danger Mouse – give a very quick (and slightly bizarre) interview. I then promptly had my special edition of the album signed, grabbed my 7″ picture disk bonus for buying the album from Virgin, and bounced back onto the subway.

I must give tons of credit to the Virgin Megastore for completely botching nearly everything, from the horrible crowd setup to the lack of a line for the signing to such minutae as “not being able to hear most of the answers”. That said, it was still reasonably fun.
Below are the questions as I jotted them down as fast as I could; Damon answered most of the questions, but passed the mic when necessary. I apologize for factual or typographical errors; these should not be taken as exact quotes for your safety.

**Regular Interview**

*What’s the best part of being a 2D outfit?*

Everything is fake anyhow, so they can be *really* fake.

*What made you take this album in a darker direction?*

They made the last one in 2000, and made this one in 2005.

*How did you get in an iPod ad?*

Damon can’t really speak to the business side of it, but he feels the iPod promotes something (didn’t catch exactly what he said) that shares the spirit of the band.

*Any word on a new tour?*

They’d like to do one, but there are no plans yet. They’re very expensive tours, and theydon’t want to do the exact same thing as last time to show the band, so they’re still thinking about how to go about it this time.

*What were you listening to while you worked on Demon Days?*

Danger Mouse listened to spaghetti westerns, old psychedelic albums and the like; Damon wasn’t listening to anything, as he finds it difficult to listen to someone else and create his own work at the same time.

*How is Search For A Star going?*

It’s going well; they are moving into closing stages, and have found some very strange talent. The winner will come and work with them as a new Gorillaz collaborator.

*Are there any other bands you’d like to see get a cartoon makeover?*

“All of them.”

*Is there another Gorillaz project in the pipeline?*

Yes, something very different, which involves kung fu.

*What’s the first record each of you bought with your own money?*

Damon says Combat Rock, Jamie admits to the theme from Ghostbusters (to many cheers), and Danger Mouse claims some iron maiden record, although he can’t recall which one.

*What’s the first concert you went to?*

Danger Mouse says he didn’t go to concerts as a kid, so the first real concert would be The Roots. Jamie can’t remember, and Damon cops to Nick Kershel.

**Fan Questions**

(The first question is posed by an obnoxious super fan who makes everyone in the crowd groan.)

*This is a three part question for 2D – did Noodle teach the rest of the band any Japanese curse words? What is it about Clint Eastwood that makes 2D’s day? And is 2D a geek in zombie clothing?*

No, he has interesting politics, and yes.

*Where did the fashion sense and design for the band come from?*

Jamie’s local supermarket, and Tokyo.

*Are we the last living souls?*

“Let’s hope not.”

*What happened to Rocket?*

Rocket was only supposed to be a little cheap free thing on the website, never meant to be a real song.

*The tour last time had different rappers than the album did; will the live tracks be released?*

The band has so many collaborators, it’s difficult to release everything, so probably not.

*Which band member is responsible for the Left Hand Suzuki Method?*

Damon is left handed, which sort of balances out the awesomeness of the Suzuki method.

*Will there be another version of Demon Days, as Laika Come Home was for the first album?*

Yes, it will be a pure R&B album, they hope to have Beyonce singing Last Living Souls. (Big laugh.)

*What were your outside inspirations while making the album?*

“Films. People. Mushrooms.”

*Have you ever done drugs?*

“No. What a stupid question.”

*Who’s idea was it to do a song in 5/4?*

Damon, as he felt is was a much maligned time signature.

*To Danger Mouse: After The Grey Album, how does it feel to be working on a project like this?*

“Well, as long as it sells 10 million copies, I’m in the clear.”

*What about a new Blur album?*

“Eventually.”

*Who are Jamie’s comic inspirations?*

“Chuck Jones, mostly.”

*What was the motivation for the last two songs on Demon Days?*

“We felt that after going into hell near the end, the album needed some sort of a happy ending.”