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Introducing: Couplandish

There are thirty-four days until the US release of Douglas Coupland‘s latest novel, Generation A.

One of my greatest pleasures is finding intersections in aspects of my life. Before he departed the NYC area, it became apparent that my (then-)coworker Zach Szukala shared a love of Coupland’s books, and a particular love for the large-type Helvetica (always Helvetica!) aphorisms they would contain. His first novel, Generation X, embedded these every few pages in the margins, with pearls of wisdom like “YOU MUST CHOOSE BETWEEN PAIN OR DRUDGERY”. His recent attempt to recapture the lightning-in-a-bottle that Microserfs had, J-Pod, featured page after page of sentence in this style that bordered on hypnotic, if not subliminal.

After enough exposure to these books, things throughout your life begin to look…Couplandish. Spotting one of these bits can be difficult to the untrained senses: it’s a certain ratio of detachment, nostalgia, history, helplessness, and wordplay. In time, they begin to jump out at you from signs and announcements on loudspeakers.

For months, Zach and I would jokingly speak Couplandish – inventing (sometimes cribbing) phrases and snippets that we felt wouldn’t feel out of place in one of these novels we loved so much. Back in June, we started writing them down. A small amount of programming provided mid-90’s web color clashes against random large-type Helvetica (always Helvetica!) selections from the library, and Couplandish was born as a Web 1.0 application.

I realize single-serving sites are out of style now, but if you’ve ever read a Douglas Coupland book, I hope this will give you a smile.
(This is the second of two side projects that I had intended to announce. A third is now in development.)

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Introducing: Wrong Remy

Like so many others, I have found Twitter a simultaneously fantastic and mind-numbing portion of the internet. For every good thing (extremely rapid notifications for breaking news, lots of good links from friends), there’s an equal and opposite bad thing (inane trending topics, spam bots). While most of these are universally shared, there’s one particular quirk that is not common.

Twitter makes it easy to reference other users – sticking an @ symbol in front of their name is considered a “mention” and most clients will flag this as relevant to the interests of those mentioned. This is theoretically good, but in practice a number of things become clear:

  • With characters at a premium, many people can’t be bothered to type out full user names.
  • Because a lot of people are using cell phones to post to Twitter, the habit of heavy SMS users to shorthand text continues here.
  • Because a lot of people don’t understand how mentions work, they tend to throw @ symbols wherever they feel like, or spaces in the middle of user names.

What this adds up to: if you were on the Twitter train early enough to get what could be called a stem username – one that might be used at the beginning of other user names – you may be subjected to mentions not intended for you.

There are a lot of Remy’s on Twitter, and I get a lot of mentions for them. I’ve taken to answering them on a Tumblr blog devoted specifically to such endeavors.

Sighing frustration + helpful cheerfulness + Twitter anthropology = Wrong Remy. I hope you enjoy reading it as much as I enjoy writing it.

(This is one of two side projects I’ll be introducing this week.)

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A Promise

Pierced

Consider this a promise: less stupid screenshots, more art I’m proud of in my 2009 Flickr photostream.