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A Good Night For Ghosts: Early Thoughts On Then She Fell

Photo by Adam Jason Photography.

In large part due to an addiction to Kickstarter that has been described as “compulsive”, I recently backed the production of Then She Fell by Third Rail Projects, an immersive theatre experience that revolves around Lewis Carroll and Alice in Wonderland. As part of my backer perks, I was invited to a dress rehearsal last night – below are some broad thoughts and observations about the performance (mostly contrasted with Sleep No More as a reference point) in advance of the opening later this week.

A few introductory notes:

1. I’m staying away from detailing specific scenes/sets/story points; this will mostly be about the experience. Some might consider this spoiler-y, so if you want to go in with no preconceptions at all, stay away from the rest of this post. SPOILER WARNING.
2. This was a dress rehearsal, which meant the show wasn’t quite ready. There are a handful of minor complaints I’m leaving out of this post as the team gave every indication it’ll be tightened up for the opening. (We were allowed to give feedback at the end of the show and those points have been lodged there.)
3. The show is already sold out for the entire run and it seems unlikely that they’ll be extending it into perpetuity as Punchdrunk has with SNM. If this interests you and you don’t already have tickets, you are most likely out of luck.

Down the rabbit hole we go.

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