The truth is, I don’t actually watch a lot of TV. I can’t remember a time that I did, at least not after college started. The list of shows that pull my full attention can be counted on one hand with fingers to spare.
But one of those shows is Doctor Who.
How I fell into Doctor Who was predictably random: while reading up on long-running British gameshow Countdown, I noticed a callout back to Doctor Who, read up on it, and jumped over to Amazon to grab “Season 1” – the reboot in 2005 with Christopher Eccleston as The Doctor. It was downhill from there, as Katie and I shotgunned our way through the first two seasons and then promptly fell into step with the third season as it aired in England.
As the gag goes, you never forget your first Doctor. And even without much context from the previous series, I loved Eccleston in the role, so much so that I was a bit crushed when he regenerated at the end of that first series. But I grew to love David Tennant all the same over his tenure, even while slogging through some really awful episodes.
Word that David was leaving the show made the news about a solid year before he left, and a young fellow named Matt Smith was shortly announced as the 11th Doctor. My immediate reaction: mixed. The Doctor would be portrayed by someone younger than I am, someone without a lot of notable acting experience – a little peculiar. On the other hand, former show-runner Russell T. Davies, (who I had grown to dislike a bit) was on the way out and Steven Moffat (who penned most of my favorite episodes) was on the way in. I felt very wibbly-wobbly about the transition plan.
Katie, who was a huge Eccleston fan, and had rallied against Tennant for all of five minutes (“he had me at ‘Barcelona'”), was adamantly opposed. And so we went through the “season of specials” with a heavy heart, because we knew the end was coming soon. (Outside of the brilliant “The Waters Of Mars”, most of the specials were terrible. This didn’t help things.)
While the new season has started on BBC One, BBC America will only begin airing the series in the US this Friday. This is far better than their usual track record, which is typically a year behind. Even more shocking: they’ve been advertising! On the side of MTA buses!
So last night, with a full house, we sat down and watched the premier episode of the new season of Doctor Who. Now, I had already seen it, and I gather that most of the fans in the audience did too. In fact, a woman sitting near me indicated she had already watched it 12 times. But there was something extra special about watching it with that group – during a sequence right near the end (you’ll know which one if you’ve seen it), the cheer from the crowd was tremendous.
Onto the important part, the panel: Steven Moffat (executive producer/writer/showrunner), Matt Smith (The Doctor), and Karen Gillan (new companion Amy Pond) in conversation with Clark Collis from Entertainment Weekly. Just about half an hour long, mostly audience Q&A. And I have some mental notes! (The lightest of spoilers ahead.)
- Matt referred to the role as “a privilege” and “the greatest part for a man in British television history”; he definitely seems to be humbled to have the role.
- The large majority of questions from the audience were for Steven, and not for the cast.
- Steven didn’t have to adapt the scripts he had already written for Matt at all, but did have to adapt them for Karen since she’s Scottish.
- Matt seems to really love NYC; when asked if they would ever want to come back to NYC to film an episode, Matt gave an emphatic “YES” without missing a beat. Steven noted that even if they set an episode in NYC, they would probably just end up in front of a green screen.
- Steven made some great points about how he doesn’t believe there’s such a thing as the “nth Doctor”, but instead sees it as “the Doctor, and his 11th face”, and how since putting on new clothes can make you feel like a new person, putting on an entirely new body would likely do the same.
- One poor woman in the audience apologized for knowing nothing about the show and then proceeded to ask for background about the show. After being admonished for asking the wrong question in this room, Steven gave such a brilliant answer – you don’t need to know the backstory. The new season started the same way the first season did – some nice people find a police box, go inside, and meet The Doctor. It’s a show that can take place at any location, at any point in time, and “every other television show format can go home and hang its head in shame.”
- Caitlin Blackwood, who played the younger Amy Pond, is actually Karen Gillan’s cousin, but they had never met. (Apparently her family just doesn’t get together a lot.)
- Steven wouldn’t say a word about the Neil Gaiman episode other than that it’s “very very good”, but added that they were more than willing to American writers.
- The now infamous “fish custard” scene? Actually fish and custard.
- “Geronimo!” is not a Coupling reference, and Steven swears it’s not really a catchphrase – he wrote it into one scene, and Matt’s been saying it ever since.
- Alex Kingston was a joy to work with for the two episodes they shot with her. Steven added that the character of River Song was originally a shortcut to have a character that trusted The Doctor immediately, but the idea ended up taking over the episode.
- Steven is afraid that whenever the show ends, The Doctor will be responsible for every event in history – so don’t expect too many “historical” episodes out of him. When asked what historical events the cast would like to do, Karen said Woodstock, and Matt offered Atlantis.
- Matt made a point of acknowledging the wonderful musical score of Murray Gold, who – surprise! – happened to be in the audience in the row behind us.
After the panel ended, a reception was held, and by some miracle the cast stuck around. And after gathering autographs on the cover of the most recent Doctor Who Magazine, we nabbed a picture:
So, yeah: met the team who’s carrying the torch of the longest running sci-fi show in history. A pretty decent Monday night.
Doctor Who premieres on BBC America this Saturday (4/17) at 9PM EDT.
(One last thing: a huge heartfelt thanks to everyone – especially Bob Eng – at the Paley Center for putting together such a brilliant event. The Paley Center is a wonderful resource, and I cannot recommend becoming a member enough and helping an institution that’s striving so hard to try and preserve modern media and culture. Museums have been hit extra hard during the economic downturn – philanthropy is way down across the board – so consider backing what I firmly believe is a very necessary cornerstone.)